By 1845 Baudelaire led a charge pronouncing Corot the leader in the “modern school of landscape painting" but his works have been very often criticized as weak and “pale” or having “naive awkwardness". By the mid-1850’s, Corot’s increasingly impressionistic style began to get the recognition that fixed his place in French art.
He died in Paris of a stomach disorder and was buried at Père Lachaise. A number of followers called themselves Corot's pupils :Camille Pissaro, Berthe Morisot, Le Roux et Alexandre DeFaux.
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